Friday, August 3, 2012
Meaning of Meaning
Description on the one hand
Evaluation on the other hand
The sound of 2 hands clapping
or just one?
MEANING & the Meaning of meaning
You might think “MEANING” should be glamorous ,
and I agree. We all think of MEANING in personal
self-fulfilling terms of desire.
What is meaningless, we mostly ignore.And we also
turn-up the feeling that MEANING is personal.
Common sense meaning and meaning-in-common
does not catch or carry the glow with which we
normally say Oh—that was so meaningful.
Etc.
But I would have you consider (always for the sake
of argument) meaning in the fundamentalist reductive
sense of DIFFERENCE and more importantly
(more meaningfully) a difference that MAKES a
DIFFERENCE (as opposed to all the differences
that make no difference as far as I’m concerned, or
we’re concerned.)
We might think about MEANING
as having 2 hands:
1) the DESCRIPTIVE part 2) the evaluative or “ETHICAL”
literally: aesthetic – the “the” part which places positive or
in aesthetic means the VIEW. negative VALUE on a difference
& so aestheticism is literally so that it is not just a difference
descriptive: look, look, look (descriptively), but a difference that
see, see, see: fundamental I/we/Us/convention/culture/tradition
aestheticism. Difference. & common sense sees as significant
MAKING A DIFFERENCE
that makes a difference (ethic )
or just a difference that makes no difference (aesthetic)
The word-PLAY on “DIFFERENCE” and how it is a
different difference depending on what conceptual
hierarchical “level” we are using/abusing it—is worth
consideration,
Because it is typical of the dubious, double-ness
of language-in-use: that it can both clarify and
confuse, depending on the linguistic SAVVY of the
user/abuser.
I meant that but I didn't mean that.
ERROR and PLAY go hand in hand; contra-diction and
paradox: got to love them both or I’m screwed! The
play of “DIFFERENCE” demonstrates the hierarchical
and contextual levels in communication that compensate
for the inadequacy of words to indicate the fullness of
expression, converse-action, communication so that the
ATTITUDE and RECEPTIVITY for the players is
always crucial.
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