Nature Loves Redundancy even if Eng &
Creative Wrtg Teachers Don't
The
Playboy & The Puritan
Rake & Revisionist
&
why can’t they
just get along?
Peter Elbow was a big
influence on me--back in the 80's.
Especially Embracing Contraries --way more about
reciprocal
thinking and collaboration than just unilateral composing.
The
dialectic between recklessness &
reform is what fires
me up—us swimming in an accrediting matrix & regulating
environmentalism where the mess and guess of process is
underdog and the protocol strategies of reform and revision
rule. This comes with the territory of industrialized
education
and proliferating MFA programs educationalizing the process.
I was dean when we seduced Louise Gluck and the
Goddard
group to relocate--she and
Ellen Bryant, with their falling
cadence & you used
to have some free wine
to listen
to this professional
sighing night after night.
(My Hyper Oppositional Disorder acting
up here: diagnosis
I got from a student
who worked at a Varieties of
Learning
Disabilities camp one summer and this one—H O D—was
a new one on me,
just right & I
embrace it,
that & Restless
Leg Syndrome! We have Names for stuff
now
that wasn’t
differentiated back in
the 50’s when it was
all like HFD
(Huck Finns’ Disease) or the less
severe TSD: Tom
Sawyer
Disorder.)
I guess Ginsburg's Shithouse Retrospective does the
same kind of
reductive injustice to the whole process
of composing as Poe's
"Philosophy of Composition."
Shifts attention from
decent fired-up irrational impulse
to re-visionary
rationalization—what I call Howard
Cosel-ing or Monday Morning Quarterbacking. Not
that there's any thing
wrong with THAT: it's what we do.
Rationalize the process.
Write books on it. Offer
courses
in it. Credit &
grades. Lop-sided is all
I'm saying. We
privilege the CONTROL
side. (Who can blame us--we're
always up for
re-accreditation etc.)
"Hyper Opposition," for me, is my knee JERK reaction
to the over-emphasis
of the control-it
& regulate-it side
at the expense
of the cloud-of-unknowing, ooops, ooo
damnit trial&erroring margins and rooms for play
that
inspires and informs the
process--if not reforms.
I saw a best mind of the MFA one summer session weeping
in the corner of
2nd-floor Jensen after a round-house
work-
shopping group-critique
feedback and
re-visionary session
which is part of the
whole process,
too--driving &
crying,
tears & fears: an American Idol competition
& everyone
with our own Simon Says if
it don’t kill you makes youi
strong.
Forgive me. Right
here: this here back&forth is the
action of
academics-best-sense for
me. Liberal art going on. I would
wish this kind of
non-unilateral reciprocity
might inform
our Faculty L --thinking
& writing across the
curriculum.
Wouldn't we all get better at it? How not? IT might could
solve some Retention
problem, too: good time being had by ALL:
trickle down like a great
golden chain of being!
xxxooo, Sam
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